A girl observes expensive trips and dinners and compares those images with an ordinary day.
The problem of comparison is asymmetry: it sees a selection of others and knows all its difficulties. In the example, a photograph does not tell about debts, work or family problems.
I propose to note what the image shows and what it does not allow to know. The distinction does not devalue those who publish; it avoids turning incomplete information into a ranking of lives.